April 30, 2013
Books of April

An almost-all-lady month, marred only by the inclusion of our book club book, Mr. Johnson’s tome on North Korea.

Gone Girl, Gillian Flynn

I had mentioned earlier my problems with Gone Girl. Essentially, it was a gussied-up thriller (not bad!), that went completely off the rails for me at the end. I was buying the character study of two married people who are so very different from each other’s perceptions. Then it went full crazy town at the end and I just could not stay on board.

The Night Circus, Erin Morgenstern

An incredibly light and somewhat hollow romance. Full of things I usually embrace when it comes to fast Twinkie reading—magic, epic games, duels, flights of fantasy—but nothing ever felt solid. The characters, the setting, even the plot points had the reading equivalent of a cardboard stage-set.

The Tiger’s Wife, Tea Obreht

On the other hand, Tiger’s Wifefelt VERY rounded and hearty. Part of me was jealous, when this first came out, that a 26-year-old girl was getting volumes of praise. Well, now I understand why. The characters, the story all feel very realized, and satisfyingly alive. It does read as a feminine novel—though NOT chick lit—but it doesn’t shy away from the ugly and the brutal. 

Birds of America, Lorrie Moore

Collection of short stories, and shockingly the first Lorrie Moore I’d read. She has a strong, funny tone and draws excellent sketches of people and personalities in just a few lines. 

Salvage the Bones, Jessamyn West

The story of a family outside New Orleans in the days just before and during Katrina, narrated by the daughter. Oh man, so much sadness in this book. Everything is disappointment for this family. And this is not noble or character-building adversity—nope, this is just the fact that being poor and stuck SUCKS, and what can you do but go along. Even when you have friends and family. It still bites. (Also, that small lives can be epic—especially when you throw in disasters of mythical proportions.)

The Orphan Master’s Son, Adam Johnson
A sort-of bildungsroman, sort-of Boys’ Own adventure story all as warped through the lens of the setting in the DPRK. It’s hard with an outsider trying to recreate a closed world to navigate what is real and what has taken a bit of creative license. In the end, the best way to approach it, I found, was to think of it less as a narrative of North Korea, and more one of how people express, control, and rewrite their lives in the constraints of the world. How do we reshape our personal stories, or not, around the obstacles our environment throws up?   

April 29, 2013
"

What are you planning to read next?

For the past 20 years or so I’ve been planning to read the final four volumes of “In Search of Lost Time” next.

"

Jonathan Franzen, in the NYT Sunday Book Review

This is an almost perfect encapsulation of how I feel about Proust.

(Source: The New York Times)

April 9, 2013
When Books Trick You

I picked up Gillian Flynn’s Gone Girl, after avoiding it for months and months and months. I am a little bit (and possibly irrationally) allergic to the breathless hype machine that pops up around certain titles. (I still, to this day, have not even attempted to read Freedom.) But I was swayed because Gone Girl was doing so well in the Morning News’s annual Tournament of Books. If so many smart people are lauding a novel, it must be alright, right?

And this is not to say that Gone Girl was bad. It wasn’t! It’s tense and very exciting and pulls you into reading it at a break-neck, sleep-crushing pace.  My problem with Gone Girl, in as much as there was one, was that I felt misled. Here you have a novel that looks like it’s going to give you a deconstruction of a marriage through the trope of a potboiler. What you actually get? A potboiler whose central relationship swiftly begins to stress your suspension of disbelief.

There is nothing wrong with a gripping, suspenseful genre read. But you have to lay that out, a little bit, at the beginning—at least if you’re going to go so wildly out of bounds as the end did. In the end, both Amy and Nick were unlikable, difficult personalities; on top of that Amy was just literally unbelievable. There is no world where I could believe she existed as written. Except maybe a genre world where geniuses and crazy twists are not only the norm, but treated with some grace.  

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April 3, 2013
Books of March

Welcome to Middlemarch Madness! This month was light, because I devoted most of it to the task of crushing Eliot’s masterwork. Pulled it out at the wire, while at home for Easter.

20th Century Ghosts, Joe Hill
A collection of short stories—mostly of the horror/supernatural genre—from Stephen King’s son. While some of them seem to end a little abruptly, there are several that are lovely and movingly told. The front section of the book is loaded with these: “Pop Art” and “20th Century Ghost” center the real world around one fantastical element; “Best New Horror” is an entertaining exploration of genre tropes; “Better Than Home” eschews the fantastical entirely to discuss a father-son relationship forged via baseball. 

Behind the Beautiful Forevers, Katherine Boo
This was the most frustrating of the books I finished this month. Boo presents a semi-novelistic, semi-reported account of the denizens of slum on the outskirts of Mumbai. The presentation of the subjects and their inner lives, their struggles and relationships within the society of the slum, sometimes comes across as less a reported story than a fictionalization. I wanted more context from the book, more understanding of how the greater system of Mumbai worked, and where the slum denizens fit into it. Boo gives some view on the corruption of the justice system, the growth going on, and the enormous wealth disparity in the city, but not enough. 

Is Everybody Hanging Out Without Me?, Mindy Kaling
I picked this up as a palate cleanser to read on a long bus ride to Boston. I’d been deep in the world of Middlemarch, but wanted something light for the trip. It definitely sufficed. Kaling is funny, and quite witty, and occasionally devastatingly, hilariously sharp-eyed in her observations. It’s a shame this voice didn’t translate as strongly to “The Mindy Project.” Someone please let her write/direct/star in an old-fashioned romantic comedy. I think it could be genius.

Middlemarch, George Eliot
Easily the longest book I tackled this month. A slow starter, as Eliot introduces you to the (tiny) world of Middlemarch and its inhabitants. The young people of the novel grow on you, and Eliot’s women in particular are refreshing, intelligent, and lovely. Even Rosamond Vincy becomes tolerable, after being annoyingly terrible for the first seven-eighths of the novel. And, of course, Eliot employs that favorite technique of movies, the What Happened After ending, wherein she tells us how everyone’s life went on. Super-satisfying.

March 4, 2013
George Eliot Problems

Alright, Internet, so I started Middlemarch recently, because I felt like I should have more of Eliot’s works under my belt. (I have only read Adam Bede, which I invariably refer to as Adam Brody in my head for reasons unknown, as I was never a big OC fan.)

Anyway, I have begun Middlemarch and I just…I just can’t with Dorothea marrying Casaubon. From his introduction on there has been a big flashing sign in my head saying, “ABORT! ABORT! Get out Dorothea!” Seriously! He is so clearly not a great dude! And then, this morning, I came to the passage where we’re informed that, yeah Cas is totally going to try and enjoy being passionately in love and then finds that, whelp, he has no passion for poor Dorothea. Might as well marry her anyway! SAVE YOURSELF, DODO*.

Also, we should all just hang out with Celia. Girl’s on point. We could sit around, judging people’s character accurately and wearing our dead mom’s jewelry and rolling our eyes at how blind Dorothea is to everything.

*Also, how great is that of a nickname? George Eliot, are you making a sly commentary on idealistic, naive Dorothea Brooke? I don’t know when dodo came into the parlance as a term for dummies, but I sure hope it was in time for Eliot to be poking a little fun.

February 28, 2013
Books of February

It may seem I’m a bit ahead of myself, posting this rundown on the 28th, the last day of the month. But Kat, there are still eight hours for you to read in! What if you finish a book in that time? Well, I’m reading Middlemarch, and just started. So, that’s super unlikely. Onward!

The Love Song of Jonny Valentine, Teddy Wayne
The tale told in the voice of a Justin-Bieber-like 12 year old popstar who is deeply, deeply annoying (as tweens are wont to be). By the end of the book, Wayne has not only managed to humanize the little monster, but actually make you feel, at the very least, pity for him, if not outright fondness.

Taipei, Tao Lin
Lin writes about a microworld of drifting twenty somethings, mostly in Brooklyn. Fun, because he name checks places I recognize in my neighborhood. Less fun, because he identifies upsetting traits I recognize in my friends and acquaintances.

Iron Fist, Vol. 1-3, Matt Fraction
I really enjoyed Matt Fraction’s take on the Iron Fist character—a minor Marvel hero who reads as a cross between the Karate Kid and Tony Stark. Fraction gives some excellent mythologizing to the Iron Fist legend, even if there’s a heavy dose of kung fu mysticism in there.

Open City, Teju Cole
A lovely, drifting, lyrical story following a narrator around New York City and, briefly, Brussels. Mostly loosely connected chapters with one (to me, at least) lightning bolt of an event near the very end of the book that is never explained. It rather sours the end of the book.

The Miniature Wife & Other Stories, Manuel Gonzales
A charming collection of cynical short stories that leap from a place of the absurd or fantastical to talk about people and their foibles. Gonzales is sharp and funny, and I particularly enjoyed the story of the man who accidentally shrank his wife, as well as some of the (fresh! shockingly) takes on zombies.

Through the Window, Julian Barnes
A collection of essays by Barnes on various literary subjects—inspired me to check out Ford Madox Ford, reminded me I still need to read Joan Didion and Lorrie Moore.

The Long Goodbye, Meghan O’Rourke
I’ve long admired O’Rourke’s writing—mostly her journalism—and was excited to find this book in the pile of ARCs being cycled out in the office. She writes affectingly about the slow death of her mother and its aftermath, capturing the static, painful state of grief and the mourner’s disconnect from the world. Sections discussing personal feelings and scientific or literary understandings of grief are shot through with memories of her mother, echoing the very real way in which the past intrudes, without warning or reason.

The Good Soldier, Ford Madox Ford
Ford’s melodramatic novel about English good manners while having affairs. Narrator is so clearly in love with his romantic rival, and so vociferously denies it, that it’s a bit sad. He speaks only of one other character (one woman, Leonora) with anything like the verve he uses to describe Edward Ashburnham. The two women he supposedly loves come off as flat, unexplored. At heart a surprisingly soapy tale (heartbreak! suicide! adultery! madness!) made literary with Ford’s prose and style (first person, exceedingly unreliable narrator).

February 1, 2013
Books of January

Welcome, 2013! So far it’s been a kind of a trash month for life in general, but a very efficient one for reading. Upsides! Anyway, the completed literature (broadly speaking) below.

House of Mirth, Edith Wharton
I read Age of Innocence last year, and was pleasantly surprised by how much I enjoyed it, how slyly snarky it could be. Mirth is a little broader, the emotions not as subtle as in Innocence, but there is still plenty of Wharton’s excellent observational sense throughout, both for the niceties of society, and their failings. Her failing: a nasty, pervasive streak of anti-Semitism. 

What We Talk About When We Talk About Anne Frank, Nathan Englander
A collection of short stories that center on interpretations and explorations of Jewish identity. The most enjoyable story, for me, was the one featuring the narrator’s delving into the obscured, mythologized history of his various family members. I am a sucker for stories about a) the way we relate stories and trick ourselves through narrative, and b) complicated family dramas.

Interesting Times, Terry Pratchett
A quick read, Pratchett’s broadly-drawn, satirical take on East Asian culture, and also old age. Not as deft as some of his other novels. Plus, it’s protagonist is Rincewind, which instantly lowers it in my opinion. Not enough Vetinari.

Terrier, Tamora Pierce
I had been looking at books to give to one of my younger cousins, and had remembered how excellent Pierce’s Alanna series was—great unconventional female heroine, well-realized fantasy world. Alas, my cousin is still a little young for that series. However, in remembering my fondness for the series, I picked up one of her more recent books from the world of Tortall. It also features an unconventional female heroine, however, the book is written in first-person diary form. That tends to grate on me, as does the tendency to pepper a book with made-up language and slang. On the upside, interesting enough story and neatly tied up at the end, so I don’t feel the need to read the rest of the series.

Trickster’s Choice, Tamora Pierce
Picked this one up at the same time as Terrier. This leads to one of Pierce’s blindspots—when she introduces other lands in her Tortall series, she tends to write a broad, nearly-stereotypical sketch of real world cultures. In this case, it’s Southeast Asia (their food is spicy! they wear sarongs!) melded with a slavery/uprising plot. There’s also an unfortunate Magical White Girl element to this; the main character appears from Tortall and is clearly set up to be the catalyst/instigator of the oppressed islanders’ revolution. Ick.

Never Let Me Go, Kazuo Ishiguro
I had seen the movie version of this before I read it, which took some of the surprise out of the reveal. Ishiguro is very good at evoking the nostalgia we feel for our childhoods, for our youth, even through a vaguely sci-fi lens.

Wild: From Lost to Found on the Pacific Crest Trail, Cheryl Strayed
I’ve enjoyed Strayed’s writing as advice columnist Sugar on the Rumpus. She’s warm and straightforward, compassionate while being honest in response to her readers. Her memoir offers more of the same, except turned inward on herself. Strayed walked the PCT when she was in her late 20s, and more or less a mess following the death of her mother a few years earlier. Strayed is honest about her feelings, about her inexperience as a hiker, about the decisions both good and bad that she made. It’s an incredibly relatable work, even if your life has been easier, your losses less harsh.

Laura Lamont’s Life in Pictures, Emma Straub
Straub’s first novel, about the life of a golden age movie star in the studio system. Entertaining, well-researched, but felt a little bit light. For all the time you spend with Laura, you never feel fully engrossed or embraced by her character. The idea of a living a split-personality life, of finding your place when your job has faded, these should inform a richer interior life of your main character. Instead, it feels like you’re merely gliding on the surface of her thoughts. 

August 7, 2012
Books of June and July

To be perfectly honest, I can’t really remember what I read in June, and what I read in July. The two months of summer have blurred together into a haze of heat and activity and occasional book binging.

The Metamorphosis, by Franz Kafka

Invisible Monsters Remixed, by Chuck Palahniuk

Telegraph Avenue, by Michael Chabon

This Is Your Captain Speaking, by Jon Methven

This Is How You Lose Her, by Junot Diaz

The Mists of Avalon, by Marion Zimmer Bradley

An Unquiet Mind, by Kay Redfield Jamison

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June 8, 2012
Books of May

A very short list, as I was busily entertaining a semi-permanent houseguest (and former roommate). Not much time for reading, as it was mostly devoted to talking and being ridiculous.

The Age of Innocence, by Edith Wharton The first Wharton I’ve read. I was expecting a mannered, kind of fussy detailing of upper-class twits, but was delightfully surprised by Wharton’s ease with language and sly jabs at the moneyed classes of Manhattan. She, like Austen, is very good at the the highly literate backhanded compliment. Beautiful, perfect ending as well.

Lightning Rods, by Helen Dewitt I was anticipating this book somewhat eagerly, after having heard so much praise for Dewitt’s Last Samurai. I was a little disappointed—it didn’t seem as sharply satirical, or as funny, as I wanted it to be. There needed to be more muscle behind those cuts, and more jokes in general to make it pop.

May 21, 2012
April Books

I forgot to update this when April bowed out. Only three books this month. Blame Mario Vargas Llosa, who’s Dream of the Celt sucked up a huge amount of time, but remains unfinished.

Rilla of Ingleside, L.M. Montgomery So, in April I joined the ranks of the smartphone enabled, and promptly added the Kindle app to my phone. And then discovered that you could get all these free, past-copyright books from the internets. So I promptly downloaded a favorite from childhood. 

Frankenstein, Mary ShelleyI had never read Frankenstein, and it seemed like one of those books one was meant to have covered in high school. Well, frankly, I don’t see why. The narrative is uneven—where does the monster disappear to? how could it possible be known to be killing people near his home?—and very few of the twists and turns seemed earned. Why is this considered a classic?

Bogeywoman, Jaimy Gordon Gordon snagged a National Book Award in 2010 for her depiction of a down-and-out racetrack and the characters who surround it. Bogeywoman also aims to encompass a sort of sleazy, sort of ignored setting (mental institution) and the stories of its inhabitants, but it doesn’t have the same fire and interest as the track. One is a minutely observed world that’s not often shown. The other feels a bit like a rehash of every disturbed adolescent novel you’ve ever read.

April 10, 2012
March Books

Four books, for the month of March. The month of unclear narrative it seems.

The Vanishers, by Heidi Julavits Not quite sure what I think of this, still. A fun read, and quick. The plot (centering around psychics and mothers) is just fantastical enough to be fun and quirky, while still ending up a bit muddled in execution. The constant juggling of apparitions and real people can get a bit exhausting, and isn’t tricky enough to keep the reader guessing through it.

Ghost Lights, by Lydia Millet A light, though somewhat un-engaging, novel on one man’s midlife crisis. Tidy and well put together, but the emotional beats had no weight.

Blood, Bones, and Butter, by Gabrielle Hamilton Nothing has made me want to cook—to really revel in food—like this memoir. Hamilton is writing a memoir about food and her food experiences, which means that there are some infuriating blank spots in describing her life. If it isn’t directly related to food or her relationship therewith, it becomes a side note (multiple girlfriends, life events). But her connection to and clear love for the stuffs we eat can be intoxicating.

The Dead Do Not Improve, by Jay Caspian Kang Debut novel of a dude whose journalistic essays I adore. There are some really wonderful moments, and some really lovely writing—the voice is so clearly of our age, our generation without being grating. The plotting, however, is a bit of a mess.

March 12, 2012
Edible Memories

Reading Blood, Bones, and Butter, by Prune chef Gabrielle Hamilton, and while as a straight memoir it can leave you wanting a bit more, as a personal history of the edible it’s excellent. Hamilton talks about food, and those who work with and around it, with the kind of vivid imagery that tiptoes the line of cliche while rarely stepping over it. Rushing through her sense-memories of the various places she’s cooked and eaten inspires a deep desire to be cooking yourself. And also to go eat at Prune, though maybe not during the brunch frenzy, which sounds, frankly, fucking terrifying from her point of view.

February 29, 2012
February Books

Whoa, I just looked at the word “February” and it looked really alien—that bonus R! We don’t pronounce it! Anyway, tangent over. 5 books this month, two featuring clockworks experts. New literary trend?

Shadow Tag, by Louise Erdrich Story about a family falling apart. Super-fast read with almost no likable protagonists. It was hard, sometimes, to invest in the story because everyone was so

Angelmaker, by Nick Harkaway Son of espionage-writer extraordinare Le Carre, Harkaway has a definite fondness for underdogs, exploring the purposes of cults good and bad, and the transformation and discovery of other inner selves (his main characters often seem to have a kind of literary MPD).

Stories by Anton Chekhov, by Anton Chekhov Collection of Chekhov’s short stories—really startling to see how modern his interpretation of the form feels, considering he wrote mostly in the late 19th century. Lots of realism, moment description versus plotted stories, lack of morals or overarching lessons.

The Chemistry of Tears, by Peter Carey I have a perennial soft spot for books about loss and its aftermath.

Bloodlands, by Alan Glynn Okay, I started reading this Irish crime-thriller because it was what I had on hand, and well, let’s just say it’s not the MOST excellently written thing I’ve ever read. Characters aren’t gripping. Narrative is a bit muddled. And the ending is unsatisfying. We read genre for very specific reasons, and part of that is the reward of a twisty, turny plot that works out in the end. Ambiguity is best left to the literary realists. 

January 31, 2012
January Books

A new year, a new book count! The grand total for January works out to 6, including one non-fiction work. A month heavy on narrative and plotting, less so on beautiful language and formal inventiveness.

Girls to the Front, by Sarah Marcus History of the Riot Grrl movement of the early ’90s. A little too earnest in its approach—Marcus was clearly too invested in the movement to be able to step back with a clear, historical eye for the weaknesses and problems, though she effectively recreates the excitement and thrill of it. Would have worked better as an oral history.

Zero History, by William Gibson My first Gibson, and not as heavy on the shockingly foresighted understanding to tech and the way we interact with it that I expected. I guess you can only predict the modern internet once in a career?

Even Cowgirls Get the Blues, by Tom Robbins Fun, though sometimes aggressively aware of its own “kookiness.”

The Imperfectionists, by Tom Rachman Man, I love the personalities who make up newsrooms. The vignettes here are both funny and affecting—a hard balance to pull off, especially when some of the characters are hard to feel empathy for.

Transparent Things, by Vladimir Nabokov A slight Nabokov, though pretty. Felt lighter in all his usual strands, and since I find the theme fascinating (memories, how we remember, how we control what we create) I could have used more.

The Submission, by Amy Waldman Interesting evocation of an alternate NYC, exploring the repercussions both here and around the country/world if the 9/11 Memorial had been designed by a Muslim American. Waldman has a good grip on storytelling and drawing interesting, if not always dimensional, characters.

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